'Na minha época as meninas estavam no comando': a constituição de feminilidades na Escola de Guardas Mirins 'Tenente Antônio João', na cidade de Ponta Grossa, Paraná

Abstract

The research includes how to articulate the meanings of Femininities and espacialidades in the memories of the young egressas from School of Guards Guards 'Tenente Antônio João', in the city of Ponta Grossa, Paraná. This institution was created in the 1960s by Mr Epaminondas Xavier de Barros, with the purpose to enable the social acensão of boys, with the support of various people and organizations in society. The school has incorporated into its organization elements of the Spiritism Kardecist, militarism and of freemasonry, which arose among employees for the foundation and maintenance of same. Ideas and ideals that come from these groups, are part of the composition of the methodological apparatus, which advocates the study, work and progress as a trinomial base for training and socialising in the company of people assisted. This idea acendente linear, by espacialidades the institution connects the moral formation, based on the trinomial discipline, hierarchy and evangelization Crest and by elements connected to the ideal of liberty, equality and fraternity. In the course of history in this space, several changes have been to maintain and expand the character of support for children and adolescents in situation of social vulnerability, among them is the inclusion of girls as learners, eleven years after its creation. The espacialidades of this institution in its operation as contraturno, revealed at the beginning of this century, girls occupy the command of the hierarchy militarised organizational learners. Thus, these espacialidades created for boys, enable the constitution of femininities specific, established by rules of control that if met with performances consistent with the corps mirim, allow occupy the central place in power relations that constitute this space. It is presented by the memories stored in the memories of the young egressas as space complex, performing and paradoxical, an environment open to the establishment of multiple femininities, where emotion takes care of resignification conflitando, past, present and future of these young guards.