Marcelo Ariel e a poesia como insurreição do pensamento na névoa-nada

Abstract

The present thesis seeks to provide analytical and descriptive readings on part of Marcelo Ariel’s poetic work. The aim of this text is to understand how poetry can be articulated with discussions that touch on subjects such as subjectivity, sensitivity and silence. For the study were selected three works of the author: We will return from the ashes to dream of silence (2014), With the daimon in the counterflow (2016) and Jahe ñde ñañombovy'a (2018). In each of the three chapters that compose this study will be used theories that dialogue, to our understanding, with the demands presented by Marcelo Ariel’s poetic language: the question of style as the production of an ontological singularity about "being black" with Achille Mbembe (2018) and Gilles Deleuze (2010), poetry as a duration in which forces, intensities and fluxes permeate the lives of the elan vital that enables the sensitive perception of life in a polyphony with Henri Bergson (1999) and language as a negative ascesis in the poem as the impossibility of saying that it announces a death in/of the word, and simultaneously a coming birth of the poetic out of language in an approximation with Georges Bataille (2016) and Maurice Blanchot (2011) perspectives. We thus seek to occupy the possibility of theorizing poetry as a powerful and insurrectional intervention of thought that does not want to appropriate or expropriate from the works analyzed here, but to perceive in them the possible openings and intensities that they allow to enter into the névoa-nada of the wreckage of present.