Poesia e rostidade: a “Bagagem” de Adélia Prado

Abstract

This study show an approach to the poetry of Adélia Prado, especially poems from the book Bagagem (1976), from the perspective of perceiving them as movements of “disintegratin” or disruption of the “face” of literature, based on Gilles Deleuze`s theoretical considerations and Felix Guattari (1996). In first moment, we check the path of Adélia Prado`s production, in oeder to contextualize the place of this author in the national literature and in the tradition of poetic discourse. From that point on, we try to observer how the compositional elements of Adelia subjectivity and poetics are strutured and dialogue in their prodiction. We seek to understand how these elements serve as an exercise mechanism for what we call in this paper the “Undoing” of the face of literature, if we consider that literature has a set of characteristics and supports paradigmatic social cultural discurses. To support this study, we focus on the theoretical framework offered by the production of Gilles Deleuze and Felix Guattari, in the book Thousand Plateaus (v. III, 1996), with an emphasis on the articles Rostidade and How to create for you a body without organs; Also other concepts engendered by theorists are triggered in this work. The proposal of reading the poems of Adelia Prado, therefore, supports the perspective that the author problematizes, in literary language, the image of the traditional feminine and makes it her movement of undoing of the face of literature”. (DELEUZE; GUATTARI, 1996).